Mestre Leopoldina

‘Dermeval Lopes de Lacerda’

(Dec 2nd 1933 – Oct 17th 2007)

Mestre Leopoldina passed away at the age of 74 in Sao Paulo Brazil.

Leopoldina’s live story starts less prosperous in Rio de Janeiro though. He didn’t grow up with his own mother and therefore he was often beaten and neglected. At a certain age he decided to leave his home. He slept in train wagons and made living selling sweets at public places. He started to make up rhymes to enhance his selling and also started to sell in the trains. People say he was nicknamed after one of Rio’s train stations, but he states that his nickname was after a locomotive he used to imitate. Having lived like this for a while Leopoldina heard of a place were street children were sheltered and fed. This made the struggle a bit easier.

Somewhere in 1952 or ’53 at the age of nineteen was the first time Leopoldina encountered Capoeira. He saw a guy named ‘Quinzinho’ leaping from left to right, standing on his feet and next on his hands. Leopoldina thought:’ Wow, I want to learn that stuff’. In order to do so he had to get nearer to his only example (Capoeira had been prohibited till that time and was therefore nearly absent in public live). This guy Quinzinho was a ‘malandro’ (as in criminal). Just a month before him being released from five years of imprisonment, Leopoldina started to go to the bars frequented by Quinzinho and offered him beers.

One of those occasions all of a sudden Quinzinho grasped Leopoldina’s hat challenging him to a fight. Leopoldina had a reputation as a street fighter to live up to. But at every move he made, Quinzinho easily leaped away. Finally Leopoldina had to give up. He was scared, but knew he had to come up with something. He left for the place where he hid his knife. On his way someone, seeing how upset Leopoldina was, stopped him to find out what was going on. Explaining him, Leopoldina spotted the boy to whom Quinzinho had given the hat, still wearing it. Leopoldina took it back and used other routes for a while. One day he was waiting at the final stop for the bus to come. When it arrived, first six of Quinzinho’s friends and finally Quinzinho himself came out.
When Quinzinho saw that all of his friends were happy to see Leopoldina again, he smiled and accepted him as part of the group. Now Leopoldina felt confident to reveal his wish to learn Capoeira. The first morning he arrived at Quinzinho’s house in a Favela, Quinzinho had already left. But from the next day on he came every day at seven to train with Quinzinho at the front of his house. Quinzinho would show him a movement and ask him to imitate it. Quinzinho didn’t use any names for the  movements.
After three or four months they could play together and Leopoldina was joining in Quinzinho’s fame, because he was the only one that could play with him. One day the two came across someone who could also play. This guy was called ‘Juvenil’. He invited Leopoldina to come play a little. When Juvenil struck Leopoldina with a ‘meia-lua’, Quinzinho pulled his gun and put it on Juvenil’s head saying: “Don’t do that. You will make him afraid to learn”. One of the other adventures Leopoldina had with Quinzinho was when the latter made him drink a few shots of straight cachaça (sugarcane liquor) before training. It made Leopoldina so sick and dizzy, that he kept easy on the stuff for the rest of his life. Finally Quinzinho got killed in a dispute over a woman. Now Leopoldina had to train by himself. He would do so on a soccer field, very early in the morning: “Otherwise people would say I was some lunatic!”.

The next capoeirista whom Leopoldina met was called Artur Emidio. He was top performer at the Waldemar Santana Academy. The owner of the academy had heard that Leopoldina could play Capoeira and invited him to come see the performance. Leopoldina entered a new world on the day of that performance. At first he even wondered if Artur was gay. Leopoldina was used to the dressing code of the malandros: wearing toe slippers and a scarf around his neck. The people at the academy were of different social standing. Though after Artur had done his solo, Leopoldina knew he had found a better player then Quinzinho. Artur had heard another capoeirista was present and invited him to come and play. Leopoldina made a good impression on Artur, because he invited Leopoldina to come to his lesson. The new contacts Leopoldina made in this group got him a job of which he enjoyed a pension until the day of his death. This is how Capoeira got Mestre Leopoldina ‘out of marginality into society.’

Mestre Leopoldina trained six years with Mestre Artur Emidio.

Mestre Leopoldina is resting in a very special place we all know because he were a very special kid, man, malandro, friend, son, father, brother and Mestre.

‘Onde quer que o Senhor esteja Mestre Leopoldina, a Capoeira e nós seus verdadeiros e nobres amigos sempre estaremos juntos’

Mestre Val Boa Morte

Ganga Zumbí
Mestre Leopoldinha

Alguém me disse Que pareço Ganga Zumbí Foi o Rei lá dos Palmares Outros já me disseram Que na outra encarnação Eu era rico, muito rico Que eu tinha muitas fazendas E grande canavial E eu era um bom patrão Só mulher eu tinha nove só mulher eu tinha nove Com idade variada Mais agora, o que eu tenho? Nem sequer tenho casa pra morar e nem dinheiro pra gastar Mas tenho a Graça Divina Que é a minha companheira E esta grande amizade Dentro do meu coração, camarada…Iê Galo Cantou…

Someone told me I look like Ganga Zumbí He was the king in Palmares Others already told me That in another incarnation I was rich, very rich I had a lot of farms And a big sugar cane plantation I was a good boss Just women I had nineJust women I had nine Of different ages But now what do I have? Not even a house to live in Nor money to spend But I have the divine grace Which is my companionAnd that great friendship Deep in my heart, comrade